Recil Bordner on Magic Capital of the World

From TOPS Magazine, January 1961, by Recil Bordner: “I am assuming that everyone knows how Lester Lake came to give Colon the title of THE MAGIC CAPITOL OF THE WORLD, and how I came to buy half interest in this business from Percy Abbott back in 1934.

What has not been told about this Magic Co. is the identity and story of the many people who have and still work here.

Among those who have worked for us were: Jesse Thornton, who was in vaudeville and built magical apparatus in Chicago. “Bill” Brema from Philadelphia – the master machinist – with all the Precision Brass Tricks of the old Brema Line; Lyman Hug who had been on the Harry Thurston Show with Percy as electrician and technician. Also Ted Banks, Frank Luckner and Neil Sweet were from the Blackstone Show. Gen. Grant, Winston Freer and Nardini of “Nardini and Nadine” each spent a couple of years with us. And Eddie Joseph, who came over from India to perform at one of our Get Togethers, stayed several months, writing and developing tricks before going on to London. All the above and many more helped us here, right down to the latest celebrities, Neal and Jeanne Foster, who are now members of the ‘Magic Family’ here in Colon.

The first day I come to Colon to stay, Percy introduced me to all the places in town where he had been doing any business: The first place he took me was to the home of Charles Elliot a man interested in magic in an amateur way. “Chuck” always produced all the minstrel shows and any other dramatic productions that were attempted locally. So it was only natural that he was the “contact” man with the local people on all our magical Get Togethers until his death in 1942. Chuck’s wife Irene was doing some sewing for the Magic Co; Spring Sausages, Carrots etc. She is the same lady who is working today in our sewing department making the same things plus, of course, many more products. She continued to do the sewing in her home until her three children were grown before she came to the shop to work.

During that first year after we had moved into our own building, another man came to see us from the Blackstone Show. This time it was from the advance personnel in the person of a juggler named Fred Merrill or just “Freddie” as everyone called him. He came to help in our paint department, and started on what was to be a part time basis, but today he is still our painter and has finished and painted, I would say, more Magical Apparatus than any other man in the world today.

Before the First World War, Fred was with the Merrill Brothers, a juggling team, and “Morris Cronnin and his Merry Men”, a comedy European Juggler Act. He is the immediate Past President of the International Jugglers Association and those of you who read the OLD TOPS, will remember that he had a series of articles, on the art of juggling, published several years ago. He has promised to write some articles for the NEW TOPS as the months roll along, so if any of you juggling fans have any news, questions or suggestions that you would like to see in print, send them along to Fred Merrill, Colon, Michigan.

In August 1943 Fred’s wife, Caroline, came to help us in the sewing department for a few hours each day. It was not long before she was working full time. When we took over the feather flower making from the DeWitt sisters, she mastered the art of converting the grimy white imported swan and goose feathers to the soft brilliant petals seen on the finished white flowers. Later she become skillful at dyeing them to the bright, even iridescent colors that makes our feather flowers so outstanding. She is especially proud of her fresh carnations, and rightfully so for they are the most realistic in appearance.

If I wrote about all the things concerning all the people who have worked here, this column would be as long as a novel, so I will have to continue it in another issue.”